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The film's decision to breeze over how fundamentally the world has changed around our heroes may have as much to do with directors Anthony and Joe Russo's desire to make a movie about the intersection of communal grief and personal guilt as it does with the fact that said film is being made in a post- The Leftovers media universe - after all, that series cornered the market on depicting what a collective, aching loss looks like on a global scale.
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NOTE THE SECOND: Marvel has not officially signed on to said coinage. (NOTE: This shattering cosmic event has been dubbed "The Snapture" by one minor media semi-luminary who shall remain me. No, the film's concerns are the same as ours: For more than a year now, we've wondered how the remaining Avengers (particularly founding parents Iron Man, Captain America, Black Widow, Hulk and Thor) would deal with the fact that 50 percent of the universe's living beings vanished into visually striking dust, due entirely to our heroes' collective failure to keep a certain giant purple mesomorphic despot from snapping his bedazzled fingers. The film deposits us, in medias res(igned), into a world sunk neck-deep in mourning, though it shows us only fleeting (albeit intriguing) glimpses of how that world's non-spandex contingent is muddling through somehow. Let's start with a bit of service journalism: Going into Avengers: Endgame, one would be well-advised to manage both one's expectations, and - given its three-hour-plus, intermissionless runtime - one's fluid intake.
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was Iron Man: A stranded-in-space Tony Stark (Robert Downey Jr.) shares a somber moment with his suit's A.I.